Sunday, September 24, 2017

Long Term Research

MULTIPLE PANEL

Omer Fast - The Casting (Front) from Commonwealth Projects on Vimeo.



Omer Fast - The Casting from Commonwealth Projects on Vimeo.

Here multiple panels are used to convey the sounds in two different contexts, giving them new meaning.


At Any Given Moment, Fall 2 with Volcanic Rock from Rebeca Méndez on Vimeo.


At Any Given Moment, Fall, 2009. Video art installation consisting of video projection, sound and lava rocks and gravel. Sound by Drew Schnurr. Image: Installation view at the Beall Center for Art and Technology, UCI, Irvine, California. Size: 159 × 120 inches ( 403.8 × 304.8 cm). Exhibition History: Beall Center for Art and Technology (Jan 8–March 14, 2009).





PETER WELZ AND WILLIAM FORSYTHE, WHENEVER ON ON ON NOHOW ON, 2005.

"The work begins with Forsythe transcribing the phrase ‘whenever on on on nohow on,” a fragment of text from Samuel Beckett, into physical movements. This gesture, and the developing dance, was filmed by cameras placed in front, to the side, and above Forsythe, as well as cameras attached to the choreographer’s body. The five views are shown simultaneously on multiple screens."


TRANSFORMATION









DRAWING COLLECTION


Letters to You, 2012



Response Drawings

296 18"x24"

this again 18"x24"

our house 18"x24"
Statement:
Memory and response drawings: Responses to sounds and words as they occur. and a meditation into my own past. In the same way that sounds and memories flow the drawings are not anchored in the page.  The flow of sounds and a train of thought reflected in a connected, line, without a set start or end. The cycle of thought and sound both unending creating a calm neutral existence.

Saturday, September 2, 2017

ephemeral marks


(before)


ephemeral mark 1: Rain. water, 2017

store water

ocean (after pour)

ocean water in store

ephemeral mark 2: store water , water, 2017
Statement:

The contrast between An organic and natural versus the manmade and artificial.   The juxtaposition between the real and the unreal, and how are we supposed to define a real water versus an unreal one. What determines the nature between the "real" and the "true" and the the "false" and the lie"? How might a human being come to know what is truth and what is fiction, when reality and unreality can become similar or become homogeneous